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Thomas Hirtin was born on February 18, 1775 in Southwark, London, as the son of a wealthy brushmaker. His father died while Thomas was a child, and the widow married a Mr.Vaughan, a pattern-draughtsman. Girtin learnt drawing as a boy, and was apprenticed to Edward Dayes (1763-1804), a topographical watercolourist. He is believed to have served out his seven year term, although there are unconfirmed reports of clashes between master and apprentice, and even that Dayes had Girtin imprisoned as a refractory apprentice. Certainly Dayes did not fully appreciate his pupil's talent, and he was to write dismissively of Girtin after his death.
While still a boy Girtin became friends with J. M. W. Turner and two teenagers were employed to colour prints with watercolour, which was the main use of the medium at that time. Girtin exhibited at the Royal Academy from 1794. His architectural and topographical sketches and drawings soon established his reputation, his use of watercolour for landscapes being such as to give him the credit of having created modern water-colour painting. He went on several sketching tours, visiting the north of England, North Wales and the West Country. By 1799 he had acquired influential patrons such as Lady Sutherland, and the art collector Sir George Beaumont. He was the dominant member of the Brothers, a sketching society of professional artists and talented amateurs.
In 1800 Girtin married Mary Ann Borrett, the sixteen year old daughter of a well-to-do City goldsmith, and set up home in St George's Row, Hyde Park, next door to the painter Paul Sandby. By 1801 he was a welcome houseguest at his patrons' country houses such as Harewood House and Mulgrave Castle, and was able to charge 20 guineas for a painting, but his health was deteriorating. In late 1801 to early 1802 he spent five and a half months in Paris, where he painted watercolours and made a series the pencil sketches which he engraved on his return to London. They were published as Twenty Views in Paris and its Environs after his death. In the spring and summer of 1802, Girtin produced a panorama of London, the "Eidometropolis", 18 feet high and 108 feet in circumference which was exhibited with success that year. It was notable for its naturalistic treatment of urban light and atmosphere.
Thomas Girtin died on November 9, 1802 in his painting room; the cause was variously reported as asthma or "ossification of the heart."
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